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・ Prelude in C major, Op. 11, No. 1 (Scriabin)
・ Prelude in C minor
・ Prelude in C Minor (BWV 999)
・ Prelude in C minor (Rachmaninoff)
・ Prelude in C minor, BWV 999
・ Prelude in C-sharp minor
・ Prelude in C-sharp minor (Rachmaninoff)
・ Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
・ Prelude in D major (Rachmaninoff)
・ Prelude in D minor (Rachmaninoff)
・ Prelude in E major, Op. 11, No. 9 (Scriabin)
・ Prelude in E minor, BWV 855a
・ Prelude in E minor, Op. 11, No. 4 (Scriabin)
・ Prelude in E-flat major (John Ireland)
・ Prelude in E-flat major (Rachmaninoff)
Prelude in E-flat minor (Rachmaninoff)
・ Prelude in F major, Op. 49, No. 2 (Scriabin)
・ Prelude in F-sharp minor (Rachmaninoff)
・ Prelude in G minor (Rachmaninoff)
・ Prelude in G-flat major (Rachmaninoff)
・ Prelude No. 1 (Villa-Lobos)
・ Prelude No. 4 (Villa-Lobos)
・ Prelude of Lotus Lantern
・ Prelude Op. 59 No. 2 (Scriabin)
・ Prelude Records (record label)
・ Prelude Records (shop)
・ Prelude to a Broken Arm
・ Prelude to a Dream
・ Prelude to a Kiss
・ Prelude to a Kiss (album)


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Prelude in E-flat minor (Rachmaninoff) : ウィキペディア英語版
Prelude in E-flat minor (Rachmaninoff)

The Prelude in E-Flat Minor, Op. 23 No. 9 is a 1903 composition by Sergei Rachmaninoff.〔Norris, Geoffrey, ''Rachmaninoff'', Schirmer Books, 1993 (pg. 170).〕〔''Id.''〕 It is part of Rachmaninoff's Ten Preludes, Op. 23.
== Structure ==

A double note theme is announced in measures 1-4. The piece then modulates rapidly from bar to bar, passing through: G flat (measure 5); C flat (measure 6); A flat minor (measure 7); and B flat (measure 9). The primary melody returns at measure 11.
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Measures 5 and 6
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Measure 7
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Measure 9
In measures 5-10 a number of thirds, sixths, seconds, and fourths make up the right hand melody. The left hand is an arpeggiated figure sporadically interrupted with minor seconds.
A reitiration of A occurs at measure 23.
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Measures 22 and 23
The theme occurs again, and then at measure 34, a completely new theme appears in the soprano.
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Measures 34 and 35
A series of descending chromatic sequences begins, and the work draws to a close in measure 50.
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Measures 50 and 51

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